• The world is witnessing a convergence of intensifying wars, growing isolationist policies, and an AI‑driven technology race that magnifies power imbalances and spreads misinformation at unprecedented speed. At the same time, global capital is pouring into AI research at a staggering ≈ $200 billion per year; a level of investment that dwarfs the Manhattan Project’s inflation‑adjusted cost of roughly $30 billion, the wartime effort that produced the first nuclear weapon. This massive financial commitment accelerates the development of capabilities that can reshape geopolitics as dramatically as the atomic bomb once did, turning AI into a new strategic lever. Together, these dynamics raise the specter of a major, possibly global, conflict—one that could eclipse anything seen since the mid‑20th century. The emerging “perfect‑storm” scenario underscores the urgent need to reassess our political institutions and the dominant narratives that shape public discourse, if we hope to steer toward a durable peace. Every institution at civil and national level has failed at peace-building.

    Only a peace between equals can last. Only a peace the very principle of which is equality and a common participation in a common benefit  — Woodrow Wilson

    If this trajectory follows the pattern of past arms races; where a zero‑sum mentality of control and dominance drives actors to justify any means, shrouding their actions in secrecy – the specter of mutually assured destruction grows ever larger. History reminds us that we have already teetered on that brink; the Cuban‑Missile crisis showed how quickly the world can slip from deterrence into catastrophe. Today, the stakes feel even higher because the weapons of the future autonomous AI systems, algorithmic influence operations, and hyper‑accelerated cyber arsenals can be deployed at a speed and scale far beyond any previous era. In that context, the danger of an uncontrolled escalation is no longer a distant hypothetical it is a looming reality we must confront head‑on.

    We find ourselves at a transformational point where our collective decisions today impact the future of human civilization. The legitimate fear surrounding our future is bound to bring forth panic amidst us.

    At first glance, panic appears destructive, paralyzing, irrational, and even absurd enabling self-sabotage. It pushes us into reactionary behavior, prompting decisions driven by fear of imagined outcomes or by hasty conclusions from our haunting pasts, rather than by a holistic understanding of the situation or of how our choices will affect us individually and the broader networks in which we are enmeshed.

    Carl Jung once wrote that what we refuse to face in ourselves will one day appear before us as fate. This year’s Ars Electronica Festival takes that provocation seriously with its theme “Panic: Yes/No.

    What can we do to resist panic? How can we cultivate more conscious, well‑informed decisions rooted in genuine understanding? And how might we foster authentic conversations that address the challenges we confront today?

    Jung coined the concept of the shadow; the repressed, ignored or denied parts of both our individual psyche and the collective unconsciousness. Jung argued that what is left unexamined in the psyche does not vanish ; it returns, magnified. He saw this most vividly in the rise of Nazism, where the German “Shadow” ; resentment, humiliation, and mythic rage repressed after World War I, erupted into collective possession. Hitler, Jung suggested, acted less as an individual leader than as a “medium” for an unconscious archetype, giving voice to forces that ordinary Germans had never dared confront in themselves. The result was catastrophe on a scale the modern world had never seen. Nor is this phenomenon confined to Germany. The Stalinist purges in the Soviet Union, the Rwandan genocide, the wars in the Balkans; each reveals how the refusal to acknowledge collective fears, hatreds, and vulnerabilities creates a vacuum that the most destructive energies rush to fill. When a society suppresses its Shadow, it does not dissolve; it gathers force until it bursts forth in atrocity.

    One does not become enlightened by imagining figures of light, but by making the darkness conscious. — Carl Jung

    Art can serve as a societal mediator. By placing us in uncomfortable situations, it challenges our beliefs and, by its very nature, brings the hidden shadows of our individual and collective psyche into consciousness. In this way, art holds up a mirror that forces us to confront everything we repress, neglect, or refuse to acknowledge; especially the mechanisms that sustain existing power structures across the spectrum. Only when we integrate those shadows can we enact conscious change, fostering conversations that recognize our collective blind spots and steering society toward greater empathy, authenticity, accountability, and justice.

    And this year’s festival did just that. The festival insists that art must not soothe us into complacency. Instead, it must provoke unease, make visible the fractures we prefer to avoid, talk about what’s always neglected and create a space where we confront our own vulnerabilities. Panic, in this sense, is not the end of dialogue but its beginning, a crack that lets the light in, a rupture that forces us to ask the most pressing questions of our time. Would mindless competition in market economies drive systems to be unchecked and unregulated, valuing growth and profit above human well-being, sustainability, and justice? Would we continue on our trajectories for power, dominance and control, abandoning morality and ethics, allowing every technological innovation to be corrupted for these ends or will we pause, hold conversations on all levels, decentralize our systems and return agency, sovereignty, privacy and control to the individuals these tools are meant to serve.

    Can AI be the first positive-sum game that transforms us towards an equitable future for all?

    Small chance? 🤏 But, with these conversation we open a door to the possibility.

    Looking for the wicked, found not a single one. Looking for myself found the wicked one — Kabir Das

    I hope we all (me included) deeply reflect on the decisions we take today as they shape the future of those to come. Only with true accountability of our pasts and present can we heal.

    Are you ready to face your own shadow?

    Selected Works

    Dynamics of a dog on leash

The installation Dynamics of Dog on a Leash shows a chained four-legged robot dog in a restricted state, about to attack. Viewers face its “murderous gaze” while staying safely beyond its reach. Though it has deadly power, it’s barely controlled by a “chain of ethics.” Will it seem like a “living other”? The dog thrashes, struggles, and collapses from overheating, mimicking a pitiful circus beast. People observe the specta cle as if watching a tragic performance. Social media reactions range from alarm to admiration. Some accuse the artist of harming humanity or abusing robots, while others praise the powerful show. The work highlights how robot motions still trigger our empathy, even though the machines Takayuki Todo (JP) Dynamics of a Dog on a Leash feel no pain. Their reactions are artificial, yet disturbingly lifelike. We are unable to cognitively discern the robot from a real animal. In an age of living with robots, will we grow more sensitive—or completely numb?

Dystopia Land

Dystopia Land explores ways to survive in a society beset by problems and to create a vision of the future. Based on multifaceted research, the project focuses on the paradoxical positivity inherent in the act of predicting and envisaging the dystopia that awaits, and aspires to build resilience to the uncertainty we face. The installation embodies the chronological passage of time, starting at the back of the space in ancient history and proceeding to the future. Along the way, the visitor experiences a bizarre and fantastical world: an ancient religion Etsuko Ichihara (JP), Civic Creative Base Tokyo CCBT Dystopia Land that worships a goat born with one eye due to a genetic abnormality; a robot that dances and sings fictional folk songs; propaganda footage made by a failing government using generative AI; and creepy hybrid creatures. Through this vision of a dystopic Japan in a parallel universe, the installation presents not just human folly, but the tenacity by which we have overcome disasters and difficulties in the past.

S.T.ARTS Exhibit

AI War Cloud Database

What responsibilities do users and makers have in choosing AI tools, when their development can also lead to deadly outcomes at massive scales? AI War Cloud Database catalogues the systems used to make automated decisions in warfare, and it maps where the same types of tools appear in smartphones and popular social platforms.

Sensing Quantum

The LAS Art Foundation’s Sensing Quantum program unites artists, scientists, and the public to develop novel approaches to innovative technologies. Through interdisciplinary collaboration and multisensory experiences, the program fosters critical engagement, creative innovation, and inclusive dialogue about the ethical, social, and political implications of quantum research.

Sweet Dreams -
Delicious Lies Within

Surreal and satirical, Sweet Dreams is a multimedia work exploring how food culture shapes—and distorts—our desires. Sweet Dreams blends physical and digital storytelling, pulling audiences into a world where food is more than sustenance; it is a status symbol, a moral dilemma, a carefully marketed illusion. From hyper-processed snacks to extravagant gold-plated feasts, this work unpacks the contradictions of modern consumption.Originally conceived over 8 rooms, the storyworld was created using a combination of 2D, 3D, and gen-AI animated material with a custom VR puppeteering pipeline. Every facet of the experiential environment was conceived as a three-dimensional, interactive world where storytelling emerges from space itself—designed Marshmallow Laser Feast (GB) Sweet Dreams Delicious Lies Within to be navigated, performed, and activated by the audience. This bite sized adaptation for Ars Electronica shows a flavor of Sweet Dreams and The Real Good Chicken Company—a fast-food empire grappling with an uncertain future.

Elon

The project immerses visitors in a hypnopompic world of techno-glamour and future panic. In our vibrant shrine to all things Tesla, guests encounter the surreal magic at the crossroads of modern dread and electric dreams. Inspired by Elon Magazine—the only celebrity magazine devoted to the world’s most charismatic oligarch—this two-room installation invites both awe and unease. In the first room, AI-generated satirical images depict a massive Elon Musk doppelgänger surveying your trembling flesh. Nearby, colorful lenticular prints offer shifting perspectives on the many faces of our electric savior. Are we all Elon? Can you imagine? The second room throbs with sensual techno energy: 69 copies of Elon Magazine displayed like sacred relics or luxury goods. A hypnotic soundscape blends with looping video from Gigafactories in Berlin and Austin, ensuring you vibrate with giga-energy while gently lulled between hype and panic

Tech Bro Debates Humanity

Tech Bro Debates Humanity features two AI-generated “Tech Bros”—white male avatars created from Sputniko!’s own face and voice—locked in a self-important debate about the future of humanity. Their dialogue, also AI generated, satirizes Silicon Valley’s tendency to amplify its own echo chamber, especially when discussing world changing ideas. Referencing the legacy of female artists who adopt male personas to disrupt gender norms, the piece also nods to Donna Haraway’s cyborg theory, blurring boundaries between human and machine, male Sputniko! (JP/GB) Tech Bro Debates Humanity and female. What once promised democratization has turned into an exclusive boys’ club. As DEI ideals are pushed aside, the installation asks:
Who gets to shape the future—and should we trust them?

Dat Astral Chart

DatAstral Chart explores how data mining shapes digital identities and reflects on the ecological and social impact of hyperconnectivity. The project centers on a hexagonal interactive prediction machine that simulates fingerprint and phone scans to reveal participants’ digital personality types, presented as twelve unique “digital signs.” Visitors receive a personalized card describing their profile, blending playful fortune-telling aesthetics with critical reflection. The installation evokes classic prediction devices with lights, sound, and esoteric engravings, addressing datafication as a new form of extractivism with planetary consequences. It invites audiences to question algorithmic influence on identity, free will, and the future, highlighting intersections between technology, materiality, and sustainability.

Outtakes